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Matter falls onto light

Matter falls onto light

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Matter falls onto light

To unravel the synthesised perception of
shadow as it moves through time and space we
follow its edge as captured in the photograph. As
the edge changes direction, be it due to the caster,
the casted upon, or some intermediate matter, we
cut the image and align it, as if the shadow never
changed direction. In this moment, the world
enters the state of becoming that shadows normally
exist within. If the image is taken at a different
time, or approached from a different angle, the
result is changed, but the shadow remains the same
straight line. This reversal of cause and effect
generates a new understanding of a non-physical
space. It instead renders light and shadow as physical and object only takes form after it is placed
along the line.

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